Thursday, December 10, 2009

Your Words Are a Bird

You should speak the words that are coming from your mouth

Speak them! You are sending a little creation into the world

A bird you have released to sing secrets to me

They enter me, inhabit me, transform me

And I become the phoenix I was meant to be

Wild from her lair, swimming the sky's depths,

Knowing

Finally knowing

Monday, December 7, 2009

Cliché

The couple in the corner booth stares off into space,
they exchange no words, speak to the server when spoken to.
She texts rudely under the table while he stares into his glass
sadly, visibly relieved when the food arrives.
Chewing is such a goddamn relief.

They are so cliché, if they only knew.
So forty-something and plain, so slightly overweight,
too rich to be happy, too childless to be fulfilled.

At the bar, the lonely blonde leans in, breasts grazing the counter,
she fingers her hair and nods her head, forgets what she's said yes to.
Forgets what her heart longed for when she was twenty-two,
forgets the dream of a husband and baby to hold, reaches out
and strokes the thigh of a man who will never love her,
never see her after her apartment tonight.

It's kind of pathetic, really. And a better woman, a righteous one,
walks by outside the window pushing her stroller and dragging
a toddler smothered in a babygap sweater. She forces a smile,
nervously begs her boy to behave and coos to a crying baby.
One day all the pressure will reveal tiny cracks around
the edges of her eyes. Her husband's fat paycheck won't stop them.

I go home, watch a movie, escape to fiction where fact plays out.
Sadly see myself in the actress' bit part.

The last thing I wanted was to be so stereo
typical.
But this is what I've become.
So don't come to my door
Cry foul or ask what for. Wait.

Wait and you'll see me carve myself out of this old plot line.
I'll be brilliant, I'll be the author, far better than the star.

I'm working on the screenplay, in fact.
(You're the bitch, and I'm the whore)
I'm busy! I'll say with a grin
to the buzz at the door.

Wednesday, December 2, 2009

My German Life: The Player Stops Playing

Have you ever grieved for something that you never had? It's a strange feeling isn't it? Like mourning the death of a person you never knew, and who therefore never died. Sometimes I grieve for abstract concepts. The one I'm yearning for right now is authenticity. I feel like I've noticed a lot lately the lack of this quality; people seem to spend a lot of time avoiding honesty. I was walking to work the other day (substitute teaching at the high school) and a man walking the sidewalk in the same direction asked me how I was. Such a common question, "How are you?," often said in passing and without the expectation of a reply. I didn't reply, because he was a stranger, and this is Germany, and Germans mostly just ignore each other on the street. Besides, it was early for me, and I'm never sure how I am before noon. But the stranger persisted, "You know, I ask people how they are, and they don't reply because they think I don't really care to hear the answer, but I do want to hear the answer." I laughed and reminded him this is Germany, where strangers do not speak. We fell into easy conversation then and parted ways at the kaserne gate, I feeling lighter somehow. The authenticity of his approach to connection was really refreshing; it is so rare to meet someone who actually makes you feel like they care, about this day, about other people, about life.

I noticed this disparity of authenticity when I was subbing that day at school too. Something seems to happen between 9th grade and 12th grade; there is a mysterious falling away of optimism. I taught various classes and grade levels that day, and I noticed the stark difference between the silly but endearing excitement of the freshmen and the moody ennui of the seniors. Whereas freshman boys were sitting in girls' laps and making inappropriate comments to the substitute, the senior guys were self-conscious and silent. The girls had changed from talkative flirts to pensive emos. Honestly, the seniors bored the hell out of me. I had a blast with the 9th graders, because they had not yet learned to self-edit their thoughts. They just said whatever they were thinking to whoever would listen. I pondered this difference all day and came the conclusion that too many heartbreaks dot the landscape of high school. By 12th grade, students have learned to believe their ideas don't count and their feelings are unpredictable and often destructive. Who teaches them these things? I suppose their parents and teachers are somewhat at fault, but mostly the problem is each other. Humans can be so ruthless to each other, and this ruthlessness seems to flourish in high school.

So we learn to self-edit. To say what we think others want to hear. I think back over 2009 and realize how much I've honed my own talent for omitting the truth. I've found that as my beliefs have changed, my authenticity has waned, because I know my audience, and my audience will not embrace my changes. And that begs the question, Am I an actor playing to an audience? Am I simply speaking the parts, delivering the expected monologue, wearing the required expression? I don't want to be an actor. I've never longed for dissimulation. I want very much to always be aware of my true self and honest about who I am. I'm done mourning. I want to walk into 2010 wide awake, aware, desirous of authentic connection with others, and willing to do the hard work of being real. Do it. You will feel better :)

Monday, November 16, 2009






My German Life: Is the Air Thinner Up Here?

I haven't been blogging much lately. I could think of a host of excuses. I've been plagued a lot with the feeling that the world has nothing new to offer me, and I certainly have nothing to give to the world any more. But mostly, I've grown tired of my own voice; I have to listen to that whiny bitch in my head all the time anyway, and listening to her rants on a computer screen is sometimes more than I can handle. So I've turned to fiction lately; I've been working on a story and still have a hard time erasing my own voice from it and creating an entirely new voice for my protagonist. Perhaps I need to try nonfiction, and so for this blog entry I will turn to history, or at least to my own musings about it.
This past week we traveled to the Bavarian Alps for a few days. We enjoyed the luxury of one of the military's premiere resorts, Edelweiss, set at the foot of the alpine mass that holds Zugspitze, Germany's highest peak. It really was breathtakingly lovely there. My husband is from Colorado and therefore believes nothing holds a candle to the Rocky Mountains. I beg to differ; the Alps are stunning because they rise up out of nowhere; we are practically at sea level in Germany, and the almost 10,000 foot peaks are a sharp contrast. There are no miles of plains, plateaus and foothills leading up to them, and so their appearance is a wonderful surprise when the viewer beholds their snow-capped splendor jutting out of green valleys where the villages lie.
We took a cable car up to the top of Zugspitze and gazed over four countries: Innsbruck, Switzerland straight ahead, Italy and Austria surrounding. It was a heady moment, I felt delirious with the beauty that no words could describe, and slightly breathless from the high altitude. It's hard to think clearly up there.
The next day we traveled to the famed Neuschwanstein Schloss, the castle that inspired Cinderella's abode at Disney World. We spent time touring the castle and learning about Ludwig II, the king who designed it. I felt a kinship with Ludwig immediately. Those who know his story will laugh, for he is often called "Mad King Ludwig." I certainly can claim my share of crazy. As many southern writers have noted, simply being born in the Deep South entitles one to claim insanity, there's always a few crazies in the bloodline. But back to Ludwig, he sort of fell into his reign at age 18 when his father passed, and he was utterly unprepared for it. He was a romantic to his very core, and he attempted reforms but since he had a parliament to wrestle with, he found his plans mostly thwarted. And so, like most of us, he just gave up. Retreated. It's so much easier to escape, and so he focused on art, poetry, opera. He had fabulous castles constructed, such as Neuschwanstein, which he had frescoed in scenes from Wagner's operas. Tristan and Isolde, Guinevere and Arthur; they haunt his halls with all their tragic passion. Ludwig seemed to be madly in love with the unattainable. He wanted his cousin, Elisabeth, but she was married to the Emperor of Austria. All of this wanting and not getting seems to have sent Ludwig into quitter's mode. He held no court, entertained no guests, was engaged to another cousin but broke it off. He began to sleep during the days and spend the nights awake wandering the countryside, engaging in sport, or gambling away the royal coffers. An eccentric recluse, he stopped caring about taking part in government or producing an heir or any of the normal offices of a king.
Life is most often a slow toiling away for us as adults. There is a lot of daily grind and very few mountaintop experiences. For some of us, this threatens to depress the hell out of us; I am one of those who'd rather just escape. This isn't an answer to any of our challenges, however. Be you Bavarian king or just a housewife, abdication really is not an option.
In the end, Ludwig was deposed from his throne on unproven charges of insanity. One day he went walking with his goverment-appointed physician and never returned. His body and that of the physician were found on the bank of Lake Starnberg. Suicide or assassination? There was never any conclusion. HIs beloved cousin Elisabeth lamented, "he was just an eccentric living in a world of dreams, they might have treated him more gently."
Sometimes the world will not treat us gently; sometimes we won't treat ourselves gently. But then there will come a moment when everything around is blinding beauty and clarity as far as the eye can see. The air will feel thinner, but the struggle to breathe will make everything feel more intense. For a moment you will be suspended, floating in that highest of clouds. Hold to that moment. A moment like that can carry you through the grind, and remind you that life is still worth living.

Tuesday, November 10, 2009

Herbst

Through yellow eyes you watch me,
you Omen of worse things to come
knowing there's poison in this cup
but blinking your silent assent
There are worse ways to go.

You slink away through iron fences
leave me to wonder about lost spaces
all the lampglow from other windows
simple chit-chat or hearts breaking.

Tick, tick, tick sings the insect above.
I take another drag and pollute
but the wind joins me, erases me.

Yellowed leaves twist, break their necks,
and fall.

Go Home. Go. Run Home, the wind whispers.

But I can't remember where it is.

On the Other Side of Anger

I was feeling the pang of each contraction,
the muscle-clenching, grunting, hissing pain
and I couldn't stop to analyze my rage
I could only struggle, kicking the hands
supporting my knees, squeezing the fingers
I could reach, digging nails deep until I drew blood.

It wasn't cruelty, just the longing to survive
that made me fight so hard, and the need to protect
what was mine, what I had come so far for.
I felt myself drowning in the waters, something
Was twisting chord-tight and I felt frantic
reaching for him, my prize, and finding only water.

I woke up, there was no pool surrounding me,
just sweat in the small hollow between my breasts.
I saw sheets and coverlet all crumpled in a mass
and realized I had been kicking against invisible goads.
I looked for an enemy, to fear, to fight,
and found only another warm body in my bed.

I exhaled.

Inhaled at the realization: I'm not afraid anymore.

I press palms in prayer. Close my eyes.

Namaste.